Kyoto Day 1, Sannen-zaka street

Part of the Kiyomizu Temple complex

My husband and I had the opportunity to spend five days in Kyoto in May, 2009. This blog post is the second of my attempts to share some of that journey. We took all the photos, which are just our snapshots, minimally processed.

After we departed from the Hillwalker group (kindly see previous post) we used our map to steer ourselves uphill to the Kiyomizu Temple. We somehow missed the recommended route, up a pedestrian-only street, and ended up on another thoroughfare, but going in the correct general direction, at least. Our route was lined with shops selling wonderful pottery, which I understand is called kiyomizu ware; I really couldn't discern a particular style, but admired many wonderful glazes and incised designs. Wish we'd carted some home; one only regrets one's economies, as a wise woman once said on her deathbed.

We didn't explore the Kiyomizu area much, partly because if there was a map or guide in English, we didn't find it, partly because we wanted to continue on to Sannen-zaka street. A terraced, stone-paved pedestrian path lined with shops, it was a delightful descent from the Kiyomizu hill.

My Reef flip-flops, with my tabi socks - there's a small bird on a branch, under the strap

I bought some tabi, or toe socks, for gifts (and for me), for about $5 each.

The Sannen-zaka way was just charming; we saw many small shops, and even a very gracious geisha carefully making her way along the uneven stones in her geta, or platform shoes.

Click on photo for larger view
Note the sculpted white make-up at the nape of the neck

I think the height added by the geta is one reason geisha look so pretty - the kimono is a linear garment, so anything that accentuates the verticality adds to the effect.

The dangles of her delightful hair ornament move gently as she walks

The elegant lady kindly posed whenever a visitor with a camera aimed in her direction

For Westerners, geisha are probably one of the most loaded cultural symbols in Japan, as Westerners project their own orientalist ideas onto this tradition, which itself is then re-packaged for consumption as part of a new narrative, as in that book Memoirs of a Geisha, which I found almost unreadable. And of course, the kimono is the uniform of the geisha.

However, as Carol Gluck points out in Mirror of Modernity: Invented Traditions of Modern Japan, unlike the Scottish kilt, more or less invented as a symbol of the Scottish highlands during the Victorian era, the kimono is not a commodified memory, but part of an authentic tradition. The Makioka Sisters, a wonderful novel by Junichiro Tanizaki, follows the activities of four sisters in post-war Osaka, and the author describes in detail their activities and dress. For example, while the sisters wear Western-style dresses most of the time, they all wear kimono to view cherry-blossoms in Kyoto.

Western feminists, and I include myself, may draw parallels between garments perceived as restrictive, equating the obi, the sash of the kimono, with the corset, for example; thus the codified costume is seen as symbol of feminine passivity and submission. However, our tour guide Mr. Hillwalker had another view of the geisha outfit. To him, the fact that, made up as a geisha, any woman could be beautiful was equalizing - no need to depend on the deposition of gifts from nature. Uniforms, which are everywhere in Japan, may blur individual identity, but they also signal full acceptance into a cohort, and the geisha are the cohort of loveliness.

So, the application of the stylized make-up, hair, exquisite kimono and obi, and specialized accessories, ensures a level playing field for all women. Moreover, if the geisha turn-out becomes a special uniform for beauty, then how much easier to meet everyday expectations of appearance - let the uniformed geisha do the work of being elegant and graceful, the rest of us can just get on with our lives.

We continued on our route past Maruyama Park. A perfectly posed heron made for a nice bit of nature.



We saw a cleric outside of the Chion-in temple area talking animatedly on his cellphone. I made the mistake of asking, with hand gestures, if I could take his picture, and he put away his phone and posed rather stiffly. You'll just have to imagine the contrast of traditionally-attired cleric and modern technology.

Dried legumes for sale at a small store

We wandered, exhausted by this time, to the Higashiyama subway station, used the 2-day transit passes we'd bought that morning at Kyoto station, and went back to our hotel. My husband went out to a business dinner, and I collapsed with one of the energy bars we'd brought from home and watched Japanese TV.

Kyoto Day 1, Hillwalker Tour

My husband and I had the opportunity to spend five days in Kyoto in May, 2009. This blog post is just the first of my attempts to share some of that journey. We took all the photos, which are just our snapshots, minimally processed. Place names on the walking tour are from the transliterations of our tour guide, Johnnie Hillwalker.

Kyoto train station

Not just a terminus, this train station complex is worth exploring. We took the escalators up and outside to the roof garden, all the while wondering how the escalators run in the winter, as the conveyors are open to the weather at the upper level. While the station does not initially seem to have much in common with traditional Japanese architecture, conceptually there are a plenty of spatial and stylistic links. For example, there is no clear distinction between the inside and outside of the station. Such ambiguity exists at the Abbot's house at Nanzen-ji temple (more in a future post), where one accesses individual rooms not from a Western-style interior hallway, but from a covered, but unenclosed, porch. Open a sliding door and one views the outdoors, but the outdoor gardens are so manicured they are like inside spaces.

In another architectural reference, just as the massive thatch roof of a traditional Japanese farm house asserts itself as the dominant element of the structure, the space-frame roof of the station is dominant and unifying, sheltering a variety of activities beneath it.

Two places to grab a quick bite - Cafe du Monde and Mister Donut

It's worth going up to the top level for views

Worker cleaning the escalator

You get some idea of Japanese notions of cleanliness too, while watching the numerous pink and blue-uniformed cleaners disinfecting all the station surfaces, even the walls of the escalators. A cleaner gets on the escalator and holds her wipe against the side wall as the escalator ascends. The worker rides down the escalator, with cleaning cloth pressed against another portion of the wall, and repeats this ascending and descending process until the sidewalls of the units are wiped clean. With outdoor escalators, keeping everything so spotless must be a Sisyphean task.

Back down to street level, we made our way to the bus information center in front of the train station. The info center staff all wore surgical masks, and it's unexpectedly disconcerting to converse with someone with half his face hidden, but they were helpful and we obtained the best city map we found. (The Lonely Planet guide to Kyoto is good, but the maps are extremely hard to read.) A good map is essential as there is surprisingly little signage in English, or any Western language, given that Kyoto is such a major tourist destination.

Johnnie Hillwalker handing out his map

Adjacent to the bus info center, there is a below-grade entry to a department store. This is where we, along with about two dozen other visitors, formed a group for Johnnie Hillwalker, aka Hajime Hirooka. An elderly but spry gentleman, he leads five-hour walking tours through the by-ways of Kyoto. He handed out home-made maps, which were quite helpful - we could follow the route, orientate ourselves, and knew how to get back in case we wanted to revisit a stop later.

Johnnie's website is http://web.kyoto-inet.or.jp/people/h-s-love/ Note well - while the walk is level, it's a lot of walking and standing, with limited opportunities for sitting or bathroom breaks. There's one quick stop, about mid-tour, for a small vegetarian sushi snack, and another stop near the end of the tour for green tea and a traditional sweet. Sunglasses or a hat are advisable in the summer.

Johnnie describes and philosophizes in easy-to-understand English, the tour was generally good, and we saw some things we would not have seen on our own, or would have viewed with less comprehension. We waited in line in an underground passage while Johnnie collected our 2000 yen each (about $20), giving us a chance to catch up on the outcome of the recent Preakness horse race (Rachel Alexandra won), then off we went.

Our route in red, with other suggestions and tips marked


Higashi-Honganji temple complex

The first major stop was the Higashi-Honganji temple complex, the world headquarters for its sect of Buddhism. The Founder's Hall, an enormous wooden structure, was being renovated, so we toured the Amida Hall, in stocking feet, carrying our shoes in the plastic bags provided, and sat on tatami mats while learning a bit about Buddhism.

The porch of Amida Hall
The massive size of the timbers makes the refinement of the detailing all the more remarkable

Detail of the metal fittings on the entrance gate to the temple complex

Carved wood entry gate detail

The moat, as we left the temple complex

A rather nondescript Kyoto street on our route

Sales assistant getting out a fan for a customer

Next, off to the Kyosendo fan shop. I'm a fan of fans, having made a visit to the Fan Museum in Greenwich, London, http://www.fan-museum.org

Largely anachronistic in the West, fans are still used ceremonially in Japan, and we crammed into the back workshop to observe a little of their manufacture. Kyoto still has what we'd call cottage industries, evidently, and these feature in Johnnie's tour.

While we waited for fan purchasers, two Spanish women in our group went across the street and bought some tofu. They were smart. We continued on to several Shinto shrines.

The Torii gate, with symbolic tasseled rope partition, indicates a Shinto shrine

The cow is a deity for the head and intellect, so students hoping to ace their exams will visit this shrine - part of the visit may include touching the rope for luck

Another shrine, with a spirit fox, a deity for wealth, in residence - the bib is an offering

The long, flat, upright sticks commemorate special death anniversaries

We also visited this small Buddhist cemetery. There were remnants of incense sticks in shallow bowls near the monuments.

A family monument with beautiful carving

A place of pilgrimage for video gamers

On a lighter note, we next journeyed to the historical headquarters building of the Nintendo company. According to Johnnie, this building dates from the 1930's; Nintendo was established in the 19th century to make playing cards.


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Our group, as Johnnie distributes card samples

Small graphic design gems next to a 100 yen coin

Our route then crossed the wide, marshy Kamo River, everyone dragging a little now, and led to the Kanshundo Pastry shop, near the Toyokuni shrine. Some of us visited the flea market at the shrine, some just recharged batteries with green tea and the very pretty crispy treats.

Green tea and pink sweets on their wrapping paper

On the outskirts of the Toyokuni shrine, a very large bell.

Overexposed, but you can see the suspended wooden timber used to strike the bell

The bell is sounded on the medallion on the other side

I kept wishing we could hear the sound of the bell, but I think it's only given voice on New Year's now. A good opportunity for a recorded audio guide supplement, perhaps.

Johnnie, near the end of the tour

Our final stop was Yuki pottery, where we looked in at a potter painting overglaze decoration on a small tray, and had the opportunity to buy some small bowls and other items from the cart outside, behind Johnnie.

Final thoughts - do the stores Johnnie includes on his tour receive an inducement from him, or vice versa? Well, tour guides and merchants have had special relationships since ancient Romans took in the sites, and sights, at Delphi and Athens. I don't know the set up with this Kyoto tour, but nobody was given the hard sell at any time, and I think some mutual benefit is reasonable, given that we did receive the opportunity to see a little of the behind-the-scenes life for small manufacturers.

Tower Hill Gardens, July 2009

Images of flowers and vegetables - who knew kale (center) and lettuce (lower right) could be so beautiful?

More images, including map guide at entrance, and a statue of Pan, looking rather randy

Finally a nice, sunny day arrived here in New England, after an unusually rainy June, so off DH and I went to the Tower Hill Botanic Garden near Worcester, about a 45-minute drive from our home in suburban Boston. While this is not strictly a textile activity, viewing flowers, foliage - really anything that grows - provides inspiration for color and composition. Find more info on Tower Hill at the website, www.towerhillbg.org

On the way back, we stopped at the Tougas family farm stand. It was a bit late in the season for pick-your-own strawberries, but we bought a quart pre-picked, along with shortcake biscuits. Check out the farm activities at www.tougasfarm.com

Vermont Quilt Festival 2009

Detail, traditional Hunter's Star quilt.

Theme room signage at a hotel linked to a culinary arts school.





My husband and I visited the 2009 Vermont Quilt Festival, staying at the Inn at Essex, a resort affiliated with the New England Culinary Institute, and a five-minute drive from the show locale.

Since I had a quilt entered in the show, we were able to attend the champagne and chocolate reception on Thursday evening, open only to class registrants and entrants. I'm glad that we had the limited admission opportunity, as the show was just packed with quilt viewers the next day.

Two cavernous halls filled with contest quilts, special exhibits, vendors and visitors from all over.

Montreal is only two hours away by car.

My overall impression is of very well-presented show, with a partiality towards traditional use of color and technique, with machine quilting now part of that tradition. Most designs were based on classic piecing and applique patterns, and used commercial fabrics. Hand-dyes, embellishments, and surface design were less in evidence than at other shows I've attended. Below are just a few of the quilts I found interesting.

A sashiko sampler; the squares were produced individually in a quilt-as-you go manner.

















Easy-to-piece, but effective, pattern.

Detail of a luminous pineapple quilt by teacher Jane Hall.
One reason I like it is the use of black.

A poor photo of a very well-done quilt. You've heard of fan art and fan fiction? This is a fan quilt, based on a Manga (Japanese graphic novel) cat character called Loki.

Another easy-to-piece design that packs a punch of color.
As the maker noted, this quilt is from a pattern featured in a Hancock's of Paducah catalog, but is easy to adapt.

The fairgrounds sign.

It's definitely a good idea to allow two days, at least, to see all the antique quilts and other special exhibits, as well as the contest quilts, and to check out the many vendors.











A fun side trip is the Shelburne Museum, www.shelburnemuseum.org.

My trip to Kyoto - getting there

The bullet train, or Shinkansen

My husband and I had the opportunity to spend five days in Kyoto in May, 2009. This blog post is just an attempt to share some of that journey. Unless otherwise noted, we took all the photos, which are just our snapshots, minimally processed.

Of course any trip really starts when the decision is made to travel and planning starts. One suggestion is that if you want to buy yen at your local bank, order the money at least a week before your departure. Turns out most bank branches have euros but not yen, and need a week or so to order them. ATMs connected to US bank networks aren’t as plentiful in Japan as in Europe, and even with the English language option they're a bit confusing, especially if you are jet-lagged. It would have been nice to have had two 5,000 yen notes (about $50 each note) with us, although we coped once we did find an ATM (more about that later.)

Japanese yen notes and coins

My husband Jay and I flew from Boston to Newark and then non-stop to Kyoto on Continental Airlines on a Great Circle route, glimpsing snowy northern Alaska from a window at one point. We both had aisle seats - easier to take the occasional thrombosis-preventing stroll, as it's a long, long flight. After over 12 hours we arrived at Narita airport. Travelling during the global H1N1 flu outbreak then added a little extra excitement. We were not allowed to deplane. Several young public health workers in full protective lab gear - including white coats, boots, ventilating face masks and goggles - entered and distributed an amusingly translated health form while one older worker scanned us with an infrared temperature sensor. Interestingly, the front of the plane - first and business classes - was clear out rather quickly, but we sardines in coach sat there for almost an hour while forms were distributed and collected.

Health clearance, in English and Japanese

You can't tell in this poor photo, but the pages are bright yellow

The white-garbed health team seemed very interested in a Japanese teenager in my row, but, fortunately, on the other aisle, so I escaped the dreaded red dot on my seatback. Others in his vicinity were not so lucky, and had to remain on the plane when we were finally processed, clutching our yellow certificates. Finally, off the plane and into Narita airport.

Jay navigated us to the Narita Express (NEX) which took us into Tokyo. About 30% of the people in the station were wearing face masks, all of the airport employees and most of the train employees too. Following the scene on the plane, it was like a Michael Crichton novel, and surprisingly disorienting to ask for information and tickets from a person responding from behind a mask. Staff were helpful though, and we purchased our reserved tickets for the bullet train, or Shinkansen.

Bullet train platform, Kyoto

Checking departure times

From the window we viewed many small rice paddies in the leftover space between the suburbs and the train tracks. The small plots were shiny with water; bright green shoots were already well-established. About 3 hours later we were in Kyoto.

At the Kyoto train station we found an ATM linked to US Banks and obtained some yen. We then took a taxi to the Palace Side hotel, our home away from home in Kyoto. This hotel is popularly priced, and caters to both domestic and international clientele, as reflected in the breakfast buffet, which offered traditional fare - including a yummy sort of rice pilaf - and a game attempt at bacon and eggs.

The Palace Side Hotel

The hotel is called the Palace Side, I think, as it's directly opposite the large Imperial Park, where the Imperial Palace is located. The air smelled like jasmine during our stay, which I suspect wafted over from the immense gardens.

The view from our room - the greenery is the Imperial Park

I would recommend this hotel - convenient to the subway, inexpensive but comfortable, with friendly staff who do make an effort, and WiFi, not to mention washers and dryers. We remembered to always carry the hotel business card with us, so we could just show it to the taxi driver.

Our room, complete with automatic tea kettle

I couldn't manage to get a decent photo of it, but the bathroom was a compact cubicle, very clean, with a toilet whose sensor started a trickle of water into the bowl as soon as one positioned one's posterior; this ambient noise, if you will, masks other sounds.

Since I'm talking about plumbing, I'll end this post with an image of a very pretty manhole cover, demonstrating the ability of Japanese designers to make almost any item beautiful.