On Saturday, May 16, from 1-5 pm, I took part in the first-ever Quilters' Connection Studio Hop. Following a print-out with annotated directions to eight quilter's work spaces in the Greater Boston area, my wonderful husband drove me to five of the studios.
Betsy's studio was the master bedroom of her 18th century home.
Design wall - also used to photograph quilts -
is flannel or felt clamped to shelves with giant binder clips.
While I'm sure all the studios were worth a visit, it would have been difficult to get to all of them, so I chose the studios whose descriptions sounded most relevant to my immediate needs. The first stop was Betsy's antique home north of Boston. This is a challenging space, as antique homes typically lack overhead lighting and there is only one hard-wired wall sconce in the space. Betsy supplements this with a variety of Luxo table lamps and, of course, that quilter's staple, the Ott light, in portable and floor models. Using these lights, Betsy has found that she can photograph quilts in available light - no flash - and compensate for the slow shutter speed by using her ironing board as a tripod.
Design wall - also used to photograph quilts -
is flannel or felt clamped to shelves with giant binder clips.
While I'm sure all the studios were worth a visit, it would have been difficult to get to all of them, so I chose the studios whose descriptions sounded most relevant to my immediate needs. The first stop was Betsy's antique home north of Boston. This is a challenging space, as antique homes typically lack overhead lighting and there is only one hard-wired wall sconce in the space. Betsy supplements this with a variety of Luxo table lamps and, of course, that quilter's staple, the Ott light, in portable and floor models. Using these lights, Betsy has found that she can photograph quilts in available light - no flash - and compensate for the slow shutter speed by using her ironing board as a tripod.
The brightly-colored flower shapes are foam swimming pool noodles,
an intriguing solution for rolled storage of quilts.
an intriguing solution for rolled storage of quilts.
Sewing furniture, clamp-on Ott light and adjustable chair.
The only disadvantage to sewing furniture is that the knee hole for the chair is centered on the machine, making it tricky to maneuver the chair so that the quilt-maker is in front of the needle.
Cases on floor hold thread collection.
Like all the quilters whose studios I visited, Betsy has multiple organizing strategies for fabric. The bulk of the stash is sorted on open shelves by hue, but subsets, such as themed fabrics, batiks, etc., are stored in bins.
Ethel's custom-made sewing table.
My next stop was Ethel's studio, a converted garage north of Boston. The centerpiece of her spacious work area is her custom-made sewing and cutting surface. A portion of the surface is a Teflon-type laminate, for extra ease in manuvering fabric. Hooks on the outer edge hold rulers. The gray surface is a Fiskar's cutting mat.
Close-up of machine mount in the custom table.
That's a supplemental light adhered to the sewing machine head.
That's a supplemental light adhered to the sewing machine head.
The other main horizontal surface in the studio is a flat, hollow-core door. It has a padded surface onto which fabric can be pinned for silk-screen work.
Ethel's main design wall is sheets of 1 1/2" thick tongue-and-groove rigid foam insulation, covered with fabric.
The back of the design wall.
Expandable rack holds hoops.
C-clamps attach closet pole to the structural I-beam, for more storage and display.
Ethel is an active computer-user but the computer lives in an adjacent space in the basement of her home, leaving the entire studio space dedicated to fiber.
Like every quilter on the tour, Ethel had delicious edible treats, particularly appreciated by my husband/chauffeur.
The next studio we visited was over a garage.
Like every quilter on the tour, Ethel had delicious edible treats, particularly appreciated by my husband/chauffeur.
The next studio we visited was over a garage.
Bea works and teaches at a large horizontal table top she placed over a dining table. This makes a comfortable height for sitting, and permits plastic storage bins, all labelled, underneath.
Beatriz "inherited" a shelf-lined space from the previous owner of her home, a writer, but of course there was no design wall.
Bea added three homasote panels, covered in the same high-quality felt as that used for billiard tables.
The reverse side of the design wall is unpainted pegboard - a very flexible storage idea.
Another look at the sewing set-up.
One advantage to an all-purpose table for sewing, as opposed to specialized sewing furniture, is that the chair can be positioned in front of the needle, where the action is, instead of in front of the throat of the machine.
Old wooden flat files hold paper for various projects.
Dresser drawers hold special fabrics, projects in progress and finished work. Wonderful fabric baskets are displayed on top.
Baskets hold zip-lock bags of scraps, sorted by color, for use by students.
Refreshed by great brownies and flavored seltzer, we drove onto the next studio.
Gail's bright, compact studio, with furry attendant.
The next studio was in a charming bungalow whose decor reflected its proximity to the harbor. This was the smallest studio I visited, but some wonderful quilts, of all sizes, are made here.
Unfinished cubbies were given a delightful paint job by local artist.
Although I didn't take photos, alas, Gail's home is notable for all the quilts on display, and the quilts are very well integrated into the interior design. Perhaps Gail can post some photos on our guild's Yahoo site.
Gail's compact studio doesn't really allow space for a computer station, so the electronics are in the basement, in an area with more wonderful quilts on display. After refueling with mini-eclairs and red-velvet cupcakes, off to our last stop.
Another spacious studio over a garage.
Our last stop was Jayne's studio in a western suburb, and a work space over a garage. There seems to be a garage theme here in the studio hop, and it's true that, with their large, open spans, garages and spaces over garages tend to make good work areas.
For each project Jayne will often use a separate, small spool holder. With this sytem, she can return to a project after a lapse, but all the special threads are still together in one place. Hence the assortment of spool holders of multiple sizes in the photo.
Thanks so much to all of the hosts for letting us have a look at their work spaces. I hope the guild does this again, keeping in mind that the time from Mother's Day until Father's Day is quite a busy season in the social calendar.